Skip to main content

Singers' Resources: Scores

Find Scores Online

IMSLP / Petrucci Music Library 
"The free public domain sheet music library."  Partifi can be used to create parts from these scores.

Choral Public Domain Library
Scores created by individual contributors and generally available free with attribution.

Free Sheet Music Library
Contains Bach cantatas and more

Online Music Scores (Acadia University, Nova Scotia)

Online Musical Scores from Indiana University's Cook Music Library

Mozart's complete works:  NMA Online
Online version of the scholarly edition of Mozart's complete works, the Neue Ausgabe sämtliche Werke.  The site is sponsored by the Internationale Stiftung Mozarteum in cooperation with the Packard Humanities Institute, and includes the critical reports.  The printed edition, published by Bärenreiter-Verlag, is in the Music and Media Library under the call number M3 .M92.

Muziekschatten (music from the Netherlands)
A project of the now-defunct Netherlands National Music Library. 

Scores & Recordings Outside Emory

WorldCat
Catalog of the holdings of over 11,000 libraries in the U.S. and abroad, including books, sound recordings, videos, and other materials.
Use WorldCat to find out what other libraries have.

  • Truncation symbol: * (use after 3 or more characters)
  • Plurals: + finds plurals formed with either -s or -es. wax+

You may be able to borrow these items through Interlibrary Loan.

Call Numbers for Books & Scores

The Library of Congress Classification System is used by Emory and most academic libraries in the U.S.   Call numbers for music start with

M for scores
ML
for music literature
MT
for instruction and study.

For browsing in the books and scores stacks, you may wish use the link above to identify areas of interest by call numbers.
.

Basics for Finding Scores and CDs

Use DiscoverE to find music at Emory.  When searching this or any other library catalog for scores or recordings

  • Use plurals for sonatas, symphonies, and other nondistinctive titles, even when searching for only one piece.
    examples:

    sonatas no. 5
    symphonies no. 3
    ballades no. 2

    Why?  You'll usually miss some holdings when using the singular form.  This has to do with uniform titles, described below.
  • Use the original language for works with distinctive titles:
    examples:

    Matthauspassion for St. Matthew Passion
    Zauberflöte for Magic Flute
    (Drop initial articles in foreign languages—e.g.,  Die Zauberflöte.)

    Why? So you don't get an incomplete list of holdings.  The section below explains how to find the best terminology.

  • For more thorough searching, or if you can't find the work
    • Search for collections containing the piece—e.g., all sonatas by the composer.
    • If it's part of a larger work, look for the title of that work.
    • Find out if Emory has the complete works of the composer.
    • Ask for help.

Uniform Titles - A Brief Introduction

Uniform titles provide consistent, standardized ways of identifying individual compositions and groups of compositions. This makes it possible to find works all scores and recordings of a work without having to look up every conceivable title the piece might have been called.  A library catalog record gives both the work's Title—meaning the title used by the publisher—and its Uniform Title.  See the examples in Indiana University's excellent tutorial, Using Uniform Titles.

Works with Distinctive Titles

If the work's title is distinctive, the uniform title consists of its original title (from the manuscript or first edition) in the original language. 

Examples of distinctive titles:

Daphnis et Chlöe

Quatuor pour la fin du temps (Quartet for the End of Time)

Mer (for "La Mer": initial articles are dropped.)
Symphonie de Psaumes
Messiah
Wohltemperierte Klavier (Well Tempered Clavier)
Missa Solemnis
Zauberflöte (The Magic Flute)

Otello (Italian equivalent of Othello)

Zhar-ptitsa (The Firebird)

 

Works with Form or Genre Titles

If the composer's original title is simply a form name or genre (with or without key and number), the title is considered nondistinctive.  The first word of the uniform title is the form or genre, and it's always in the plural except when the composer wrote only one sonata, nocturne, etc. 

Examples of form and genre terms used in uniform titles:

Divertimenti

Quartets

Arias
Duets
Quintets
Lieder
Impromptus
Sonatas
Songs
Nocturnes
Suites
Motets

Pieces (also Stücke, if the title was German)

Symphonies
Masses

The instrumentation, number (ordinal, opus, and or catalog number) and key are often added to the form name.

Collections of Works in the Same Medium

This type of uniform title is used when one recording or score consists of various types of pieces that are all for the same medium.

Examples:

Choral music

Guitar music

Violin music

Vocal music

Complete Works of Individual Composers

The uniform title Works is used for a set of the complete works of a composer.  Note that many editions of complete works are still in the process of being published—volume by volume.  Look at Locations/Call Number in the DiscoverE record to see which volumes are actually in the library's collection. 

© Emory University Libraries - 540 Asbury Circle, Atlanta, Georgia 30322